Monday, April 24, 2017


Rachel Rubin Wolf
Program Chair, Claudia Taylor announced the April monthly program speaker, Rachel Rubin Wolf, book editor for North Light Books.  She has a Degree in Fine Art, majoring in Painting from Temple University, Kansas City Art Institute and the Philadelphia College of Art.  After taking time for family and career, Rachel has recently returned to painting.  Among her many interests are Biblical, Rabbinic and modern Hebrew, traveling and many outdoor adventures.

Her career began at North Light Books in 1989, where she started the Splash series in 1990.  She masterminded the production, judging, editing and overall design and layout of the books that have now entered their 19th year of publication.  She extended her influence to many other North Light books.  She has also took on the role of Acquisitions editor in past few years.  She writes for many books and publications.

Her personal art is displayed in her oil paintings.  She explores subjects and stories that bring out her sense of humor.  Her recent series of suburban geese exemplifies this expression in her work.

Rachel’s Splash series started input from David Lewis and Greg Albert, also of North Light Books.  Prior to Splash, art was represented primarily in instruction books.  This new concept in books put the best watercolors of the day in one book, which just featured the paintings.  She began by contacting all the watercolor societies she could find.  There was no internet to assist her research.  She invited artists by mail and through advertising in the Artist’s Magazine.  The participation grew to two to three thousand entries for each year.  Initially, the submittals required slides and were judged on light table. They quickly switched to a projector to review by showing on a wall.  Now it is all digital.  In part because of the internet, there has been a big surge in entries from Asia in the past few years, as well as India.   The typical subjects have focused on animals, figures, flowers, portraits, cities, landscapes, still lifes, abstracts, misc.   Rachel pointed out that if one is submitting an abstract painting, it needs to be good.

Rachel listed some critical ‘Dos and Don’ts’ for submittals to not only the Splash series, but submittals to regional and national watercolor shows for our consideration:
·         Image must be in focus;
·         Don’t show background;
·         Make sure files are right side up;
·         Don’t pick ‘popular’ (read Trendy) subjects;
·         Strive for original and interesting compositions;
·         Send in your best work;
·         Provide accurate personal info;
·         Don’t miss deadline;
·         Respond to acceptance email to confirm your receipt of their email.
      For the Splash books, once accepted, you will need to submit better quality image for printing.  One must pay attention to how their submittal reads digitally.  Artist must take liability.
      Rachel revealed some of her personal and professional observations in the kinds of things that influence her during her judging process:
·         Realistic paintings must be drawn well;
·         Art should be for pleasure
·         Interesting compositions will get more attention;
·         Originality is very important;
·         Compositions within subjects should be explored;
·         Some subjects get more submissions.  They go in trends over time;
·         Subject needs to be fresh;
·         She has 5-6 rounds of selecting images.
·         There is always a level of subjectivity in judging.
·         Naturalness  of an image wins over self-conscious or labored pieces.

Rachel reviewed a series of painting comparatives; contrasting paintings that were accepted into the Splash books with paintings that didn’t make it.  Each pair of paintings were discussed for positive and negative compositional aspects.  Rachel emphasized that by the time she sees a painting in her judging process, it has already been vetted by her staff so that she only sees the quality pieces.  As she went through her thought process of analyzing each set of paintings, Rachel explained how she measures the success or lack thereof of the paintings she reviews.  Important points of emphasis are:
·         Compositions need to be strong graphically. 
·         Values are often overlooked.  They need to be strongly composed.
·         Detail work within the value structure is important.
·         Differentiate between illustration and fine art.
·         Uniqueness of viewing angle often differentiates good work from great work.

Rachel confessed that the process of judging paintings for her books or for shows is always going to be subjective.  Strong work will usually win out over less convincing pieces.  She wanted to offer support for everyone to take a chance and put your work out there.  To paraphrase a sports expression, “you miss out on 100% of the shows that you don’t try to enter”.

Having Rachel Rubin Wolf come to meet with the Greater Cincinnati Watercolor Society was a great coup.  She lives and works here in Cincinnati.  She is a major player in the national watercolor scene.  The wisdom and insight that she provided to our membership was invaluable to those in our Club that aspire to subject our work to artistic critique in regional and national competition.  We look forward to continuing our relationship with Rachel and to invite her to be a regular contributor to the success of our Club. 

See you at the next meeting on May 3rd, where we welcome Peggy Bishop.  Peggy is the daughter of our own Marilyn Bishop.  Peggy is a realist who paints in a variety of subjects including seascapes, landscapes, animals, portraits, still life and florals.  In other words, she does it all !!  Looking forward to hearing from her.

Submitted by Tom Schroeder, Secretary, Greater Cincinnati Watercolor Society, April 2017
Photographs courtesy Jane Hittinger and Tom Schroeder

Thursday, April 13, 2017


President Kathy Lang called the meeting to order.  First of all the Club needs positions filled for Club Workshop Chair and Treasurer.  Anyone that feels they can contribute some time to those positions are encouraged to contact Kathy.  The issue of having one of the monthly meetings occur as an evening meeting was raised again.  July was suggested as our test meeting.  After much discussion, it was determined by vote to try it out.  A further suggestion was to make it a pot luck dinner, which was agreed upon.  The meeting time will be 6:30 to allow folks time to travel. 

We still need a fall workshop Chairperson and volunteers.  An interesting list of artists are being considered.  Anyone with suggestions should present them for consideration.

We had (3) guests in attendance:  Jack Vehr,  who has worked with Joyce Grothaus and Susan Grogan;
Judy Groen, who enjoys drawing with pencil and wanted to learn to paint; and Elaine Stoker, a friend of Rachel Rubin Wolf.

Mary Fleischmann gave an update to our Annual Exhibit.
·         Hanging on Aug. 2nd, after our monthly meeting at Barn. 
·         Show opens on Aug. 5th
·         Sunday, is the reception Aug. 6th.
·         Show closes on Aug. 27th.
·         The fee(s) will be $15 for one painting and $20 for two.
·         The Summer Music Series Concert, ‘The Vivaldi Effect’ 4-5 PM at the Barn on August 20th.  Gallery sitters should plan to extend their time for this date.
·         All show entry fees to be given or sent to Kathy Lang until the Treasurer position if filled.
We still are looking for a prominent art figure to judge the show.  The postcard design will be similar to previous years.  A press release was suggested by Marilyn.  Diane Jefferys has organized music for the show opening.  We are still in need of a hospitality chairman.  Deb Ward will again be called upon to provide painting labels (since she isn’t at the meeting!)  Each member may submit (1) or (2) paintings.  Info for the painting labels should be sent to Deb (Do not send fees to Deb).  Folks that are interested in being Sitters can sign up at the May meeting.  As something new and interesting for the show, Sitters will be encouraged to paint while they sit.  We think this could be very popular with visitors and could work as a great recruiting tool to our Club.  It has worked for other shows.  If the Club wants to have the option for credit card transactions to sell paintings to prospective buyers, at least one sitter each date will need to download an app on their smart phone.  More information on this later.

Treasurer Carol Fencl provided the report on our club finances.   The Club finances stand at $6,074.91 in bank.  Some membership dues are still outstanding and will be coming in.  As of April 10th, Carol is stepping down as the Club Treasurer and the club extends its thanks to Carol for her service.  A new Treasurer is needed to fill her shoes.

Lydia Rittinger, our Membership chair, reported that we have one new member.  This year, Membership books are being emailed to the club membership in an effort to go digital and to save printing costs.  As mentioned before, if anyone needs a hard copy, one will be available for the asking at the meetings.

Nancy Wisely has graciously agreed to take on the Scholarship Chair duties.  Thanks Nancy!

Some announcements made by members at this meeting:
·         Bob Thornburgh and Claudia Taylor will be showing paintings in a show at the Evendale Rec Center, starting the 5th of May running through the 8th.  Times of the show vary each day. 
·         A few of our members will have paintings at the Wyoming Art Show on May 21st.  More information on this show next month.

The next post will highlight the April Program host, Rachel Rubin Wolf’s presentation.

See you at the next meeting on May 3rd.

Submitted by Tom Schroeder, Secretary, Greater Cincinnati Watercolor Society, April 2017.

Thursday, March 23, 2017


How long have you been a member of the GCWS and why did you join?
I have been a member since 2015.  I joined as part of my desire to reach out from my private interest in watercolor and begin to network and see what kind of watercolor community existed in Cincinnati.  After being part of an on-line watercolor group for years, I wanted to meet with people in my area.

Have you held any positions with the GCWS; if so, what positions?
I am only just recently installed as Secretary of GCWS.
Rodney's Grill
 What are some of your artistic achievements?
Ohio Watercolor Society Show 2015 – Award of Distinction
Ohio Watercolor Society Show 2016 – OWS Choice Award
Pennsylvania Watercolor Society Show 2015 – Philadelphia Reciprocal Award
Pennsylvania Watercolor Society Show 2016 – Juror’s Award and People’s Choice Award
Pennsylvania Watercolor Society – Signature Status 2016
Kentucky Aqueous Show 2015 – Purchase Award - Brown – Forman Award
Kentucky Aqueous Show 2016
Art Comes Alive Show 2016 – Watercolor Artist of the Year
Viewpoint 48 Show 2016
2015 Greater Cincinnati Watercolor Society Show – 2nd Place
2016 Greater Cincinnati Watercolor Society Show – Not eligible for Award
2017 Transparent Watercolor Society of America Show
Shady Nook
 Describe your usual procedures for creating a painting.
I typically try to spend time in certain environments to “hunt” for images.  My favorite environments have been, rural settings, urban settings and off the typical beaten path.  I find interest in gritty, real scenes that no one else find interesting or beautiful.  I look for unique relationships, images, compositions and most importantly, stories that need to be told.  The places I look evolves over time and as my interest moves from subject to subject.  Sometimes I am in the right place at the right time.  For me, it’s about finding and seeing.  I often find multiple images that I combine together as I try to pull the story together in a composition.  I will edit images, change lighting or in some cases, invent elements to complete the scene.
Barn Cats

How long have you been painting?
I have been painting in watercolor regularly for the past 15 years.  I have been seriously painting in watercolor for almost 10 years.
The Onion Cat
In what medium, other than watercolor or acrylic, do you work?
In the past as an architectural illustrator, I have worked in gouache.  I also dabbled in oils and acrylics many years ago.  I do not currently work in any other media.

Where do you get your inspiration for paintings?
As I mentioned, I like to find my inspiration in the backwater of society or in older, forgotten parts of our world.  I already know what is pretty and beautiful in the world.  I can’t compete with our creator as he reveals his creation to us.  I seek to find stark reality and-in-your face images that have their own power and resonance.
Vermont Stream
Are you a teacher?
Officially, no but as I have been able to learn from so many people far and wide, I am glad to share what I know with anyone in a conversation.  Everyone can teach and learn from those they come into contact with.

Where do you see yourself in the future?  (i.e., is painting a hobby; will you enter shows; do you see yourself teaching?)
Since becoming an empty nester, I thought that I could use watercolor as a new frontier for me to explore.  Whether it’s just as a hobby or as something more.  I am concentrating on casting my net as far as I can and absorbing as much as I can.  I want to meet the masters of the medium and learn where they came from and how they think.  I want to find new sources of inspiration.  I want to explore new shows.  Ultimately, I want to keep my enthusiasm for watercolor moving in an inspired and progressive direction.  As Dr. Seuss once said, “Oh the Places You’ll Go !”

Is there anything else you would like for us to know about you and your art?

I would like to think that my journey is not just for myself.  I have met many wonderful people and that is what keeps me going.  I look forward to new experiences and vistas.  

Wednesday, March 15, 2017


March Program – Deb Ward
Fluid Acrylics as Watercolor
March 1, 2017
Deb Ward
Claudia Taylor, Program Chair, introduced Deb Ward, our presenter for the March meeting.  Deb is from Indiana.  She started working in watercolors in the mid 1990’s.  She began teaching her craft in 2004.   As part of this teaching, she holds seasonal classes for the Cincinnati Recreational Commission.  She also teaches in workshops that she holds at her Indiana home.  She has been the Viewpoint chair and is a past President of the Greater Cincinnati Watercolor Society.  Deb has her Signature Status in multiple watercolor societies such as Georgia, Ohio, Pennsylvania, Indiana and the Hoosier Salon.  She has been juried into shows of these societies as well as the National Watercolor Society Show.  She has been published in Artist Magazine, Watercolor Artist Magazine and Acrylic Works among others.
Deb explains the technique used in one of her paintings (Poured Yupo Peony)
featured in the book AcrylicWorks 2

Deb began working with fluid acrylics several years ago and subsequently was asked by the manufacturers of Chroma brand acrylics to test drive their product.  She has found that she really enjoys working with this variation of the watercolor approach to her paintings.  One of the biggest differences in her handling of fluid acrylics versus traditional watercolors is that she uses watercolors in a traditional manner; whites are created by leaving the paper unpainted.  In her watercolors, black is also usually mixed from a variety of color mixes.  However, when she uses fluid acrylics she does use white in varying degrees of opacity, from a thin glaze to full white accents.  While she may still mix black, as she does in watercolor, she will also use black directly as a tint or full color in fluid acrylics.

Fluid Acrylics are similar to watercolor in that they can be applied in glazes, which is the process of layering applications of color to build up the overall effect.  In fluid acrylics, the process works from light to dark, which is also similar to watercolor.  The difference in this process is that once the fluid acrylic glaze or color application is dry, it cannot be rewetted, lifted or modified in any way, as one can in watercolor.

Deb illustrated her application of fluid acrylics by showing us an in progress painting she is working on with the fluid acrylics.  Deb is unabashedly in love with working in great detail.  Her portfolio is filled with exotic still life paintings where she composes interesting elements against very beautiful and textural fabrics and patterns.

Deb uses a variety of references in her work.  She gave a good piece of advice in that if one uses a “product” within a painting, one must get permission in writing.  As Deb finalizes her compositions, she will transfer varying parts of her painting onto her paper by enlarging her photo images and transferring the line work.

When applying fluid acrylics, it is important to remember that fluid acrylic color holds as they appear as wet, whereas watercolor typically dries lighter than it appears when wet.  Acrylic resin holds pigment color due to its binder.  Acrylics can easily be glazed over with other colors.  Acrylics can be applied as thin or heavy as desired.  As Deb works during her painting process, she often sprays her palette of colors with water in order to keep the acrylic paints workable.  Since she can’t reconstitute the colors by rewetting, Deb keeps a record of color mixes and dried examples of colors that she is using in her current painting so she can recreate colors in her painting palette.  Deb has observed that some fluid acrylics appear to granulate.

Deb will evaluate the composition of the painting she is working on in order to determine the order of her painting process.  She will often paint parts of the background first so she can measure the impact of her foreground elements against the background.  She will also utilize liquid miskit to help control the edges of lighter elements or areas.  Deb has noticed that some acrylics are thicker or different consistency than others.  She admits that she has learned this through trial and error and experimenting.

During her painting process Deb explains that she has dedicated some of her paint brushes to acrylic use.  Once a brush has been used for acrylics, it cannot be used for watercolors again.  Deb cautions that it is very important to stay aware of the dryness of paint on one’s brush during the painting process.  Acrylic paint needs to be cleaned from the brush immediately after use.  Once it dries, the brush is finished.  A tip from one of the club members, Helmut Kientz, suggests using Purell to help clean brushes is very effective.  Deb uses a brush made by the Silver Brush Company, called “Black Velvet.  This brush is a mix of synthetics and squirrel hair.
Deb stated that acrylic additive mediums can be used with fluid acrylics.  Fluid Acrylics can be broken down to a 100:1 dilution and the paint will still adhere.  Different fluid acrylic brands can be mixed together without any detriment.  The range of fluid acrylic colors matches the range of colors available in watercolor.

As Deb continued working on her painting, she showed a variety of techniques.  She applied paint color directly in a “drawing with a brush” application.  She also utilized a sponge to dapple her color in order to simulate the fabric texture.  She applied color wet-in wet for her egg shapes.  She did confirm that acrylic colors can result in “blooms” when working wet-in-wet, if one tries to apply color before it is dry.
Deb emphasizes that as in watercolor, when working with thin acrylic glazes, one needs to do a lot of pre-planning to organize the process of layering the glaze colors.  Deb explained that she also pours with fluid acrylics, although she pours selectively with a spotter in controlled areas, saving whites with miskit or tape.  Deb encourages glazing as a wonderful way to introduce depth in color within a painting.  Shadows in paintings should be created by utilizing a mix of colors that are already present in the painting, so they don’t stand out or look foreign to the color palette.  Deb extolls the use of “dirty” water to help cut the brightness of a color or whites.  She also likes to mix her own grays/blacks.  One of her “go to” mixes is Ultramarine Blue with Burnt Umber.

It was enjoyable to watch Deb work through her process of painting incredibly detailed yet freshly engaging colorful paintings, that are her hallmark.  We also learned a lot about the similarities and differences between watercolor and fluid acrylics.  Thanks Deb.

Deb then spent time critiquing paintings that members brought in for her review.  All members are welcome to bring paintings in for Critique at the conclusion of each monthly meeting.

Submitted by Tom Schroeder, GCWS Secretary

Wednesday, March 8, 2017


Greater Cincinnati Watercolor Society
Meeting Notes          
10:00 am March 1, 2017

President Kathy Lang called meeting to order, welcoming all members back to our regular monthly meetings for the 2017 Greater Cincinnati Watercolor Society.  Heavy rains in the morning slightly “dampened” the attendance for the March meeting.  Water was definitely the theme for the day and those that weathered the drive were rewarded as Deb Ward helped us learn about “fluid” acrylics.

We had three guests in attendance:  Connie Detmer, who recently moved to the Cincinnati area from Wilmington, Delaware, likes to do botanical painting;  Ginny Tilbury, from Batavia also came to visit; Lynn Elzey was also in attendance.

Treasurer Carol Fencl provided the report on our club finances.  As we start this year, we inherit the condition from the previous year, which resulted in a few more expenses than our reported income.  Our current balance is replenishing itself as we receive the membership fees from members.  Carol reported that the Mary Marxen Scholarship Fund, which funds our student scholars from the Art Academy each year, has been depleting.  This topic was discussed during the Leadership Meeting.  It was proposed that we reduce the scholarship to a single recipient in the coming years until we increase our base revenue or an alternate avenue of funding this scholarship.  The club would like to reach out to the membership for a volunteer to take over the role of Treasurer as Carol will be acting in that position through April’s meeting. 

Lydia Rittinger, our Membership chair reported that there will be no membership books published this year.  The club can save this expense by emailing an electronic copy of the membership information to all members’ email addresses.  For those that are not able to receive emails, simple 8 1/2x11 hard copies of the membership information will be made available for those who wish hard copies.  Lydia also encouraged all members to fill out the information forms that she sent out to everyone to update information and allow us to feature more of our members on the blog.

There were many announcements made by members at this meeting:
  • ·         Tom Schroeder had his painting, “Cohiba Boneyard”, accepted into the 2017 Transparent Watercolor Society of America Exhibition, which is held in Kenosha, Wisconsin.  The dates for the show are May 6 thru August 6.
  • ·         Judy Doyle had a painting accepted into Art Calendar contest and will be published in the Calendar.
  • ·         Deb Ward had her painting, “Silver Harvest” juried into the 2017 Georgia Watercolor Society National Exhibition.  The dates for the show are March 11 thru April 28.
  • ·         The Queen City Art Club is currently running a show at the Miami University Voice of America Learning Center, which ends at March 29th.  Club members Dot Burdin, Judy Reed and Roger Ross are displaying pieces in the show.
  • ·         Maple Knoll has a show for residents starting at the end of March.
  • ·         Deb Ward announced that if you want your painting to be included into club brochures, please send a digital copy to her.
  • ·         Deb also invited anyone that wishes to be a featured artist for blog to send pictures and information to her.
  • ·         It is with great sadness that we announce the passing of club members, Nancy Shaw, Barb Pryor and Janet Vennemeyer.
  • ·         Joan Ammerman will not be returning to the Club due to illness.
  • ·         Jean Soller (Postcards-FILLED), Joyce Grothaus (Secretary-FILLED), Dot Burdin (Student Scholarship), Dianna Duncan (Workshop) and Carol Fencl (Treasurer) are all phasing out of their Club Leadership roles.  People are needed to fill their spots as indicated.

The Club Leadership Team met in February to review a number of Club issues and report the following to the membership:
  • ·         The Club will collect a $5 fee for those wishing to participate in pizza lunch during after meeting painting sessions.
  • ·         The Annual Greater Cincinnati Watercolor Society Exhibition will again be held at The Barn in Mariemont.  The reception will be held on Aug. 6th reception.  As usual Club members are invited to provide refreshments for the Reception.  The Club will conduct their August monthly meeting on August 2nd.  It was proposed that this year’s meeting will feature a presentation by the Mary Marxen Student Scholarship winner.  After the presentation, volunteers will set and hang the show.
  • ·         This year, those that are sitting to attend the show will also be invited to paint while they sit so that visitors to the show can see the watercolor painting process in action.  It is then felt that this might be a good way to spur interest in joining the club.
  • ·         The Club is looking into providing credit card payment for visitors that wish to purchase paintings at show.
  • ·         The Club is also looking into providing background music at show.
  • ·         There will be a new fee structure for members displaying their paintings at the show.  It will cost $15 for a single entry and $20 for two entries.
  • ·         Show entries and information must be submitted no later than July 20th.  No late entries will be allowed this year.
  • ·         Paintings must be ready to hang with wires only, no alligator clips or nails.  Paintings may be glazed with plastic or glass.
  • ·         The Mary Marxen Student Scholarship, a single (1) $500 winner will be awarded at Aug. meeting.
  • ·         The Club is considering offering one evening meeting – pending discussion and presenter schedule.
  • ·         The Club will continue with monthly postcard announcements.
  • ·         December meeting will offer a craft presentation in addition to the snacks/desserts.

If anyone has any suggestions for a guest artist to host this year's Workshop, please forward them to Kathy Lang.

Program Chair, Claudia Taylor announced the following monthly speaker schedule for the upcoming 2017 calendar:
  • ·         Deb Ward and her presentation Fluid Acrylics as Watercolor, was the featured speaker at the March meeting;
  • ·         April meeting will be hosted by Rachel Wolf – book editor for North Light Books;
  • ·         May – Peggy Bishop;
  • ·         June – Heidi Hanssen;
  • ·         July – Ken Buck – watercolor w/ pastel touches;
  • ·         August -  new member TBD w/ Student Scholarship winner presentation;
  • ·         Sept. – Greg Albert – Editor for North Light Books.

See you at the next meeting on April 5th.

Submitted by Tom Schroeder, Secretary, Greater Cincinnati Watercolor Society, March 2017.

Monday, December 12, 2016


President Kathy Lang called the meeting to order with Greetings of Merry Christmas! She said we would have a rather short meeting today so that we could get on with the real business of the day — the Party! It was very nice to see some members who had not come for a while, attend today. Members also voiced some concerns about some whom we have not heard from lately. Please let us know how you are doing.

We had one guest - Jennie Kim - recently moved here from Minnesota. She found us online, and was brave enough to come into a roomful of strangers to see what we are about. We certainly hope Jennie felt like we were no longer strangers after enjoying the meeting and party. Jennie has been painting for about ten years, using both acrylic and watercolor. She does beautiful work.

There will be no Watercolor Society meetings in January or February - due to worry about the weather, except the Leadership Teams will have a meeting - Feb. 8 to plan for the coming year. Tom Schroeder has agreed to serve as Secretary, and the members enthusiastically voted him into office.

Treasurer, Carol Fencl gave her report. Our finances are good, but since our account has dropped below a certain level, we will have to pay a checkbook fee for the next couple of months. We did spend more than we took in lately, but when everyone pays their yearly dues in March, hopefully this will be rectified. We do have some fundraisers today - profits from the items on the front tables will be given directly to the Club. Members have also brought in their personal items to be sold; those profits go to the member.

Deb Ward, Blog Chair, encouraged everyone to send in any interesting information about you or your work - to be put on the Blog - to keep it up-to-date, and interesting. We have a number of new, wonderful, members who found out about us from the Blog, and hope to attract more. It is also possible to be a “Featured Artist” by sending her a photo of a few of your paintings, and filling out an “information about you” form. Go on the Blog and read some of these interesting features.

There are many good DVDs in the Club Library. All you need to do in order to borrow one or two, is to sign them out. When you return them the next month, please sign them in. If you have any at home, please remember to bring them next time.

Next year’s Annual Exhibit Chair, Mary Fleischmann reminded us that she will be needing lots of help, both before, and during, next August’s Show. Whether you have a particular talent that you could use, or whether you have a particular challenge you would like to face, we want you to volunteer.

Robert Thornburgh, one of our newer members, wanted everyone to know that he truly appreciates all the help, support, and encouragement that he has received from members of the GCWS. He feels that he has been able to progress much more quickly in his endeavors than he thought possible. He said he values everyone’s knowledge and friendship.

Members also acknowledged and appreciated Marilyn Bishop’s efforts in beginning and supporting for all these years, the Greater Cincinnati Watercolor Society!

Members who were not able to attend this month’s meeting/Party really missed an amazing diversity of delicious food and snacks (some nutritious and some not :) )

We’ll see everybody on the first Wednesday of March!

Submitted by Joyce Grothaus, outgoing Secretary, Greater Cincinnati Watercolor Society, December, 2016

Monday, November 21, 2016


Bob Thornburgh
How long have you been a member of the GCWS and why did you join?
I have been a member of the GCWS for two months.  I joined because I recently retired from government service in Washington D.C and moved to the Cincinnati area.  I used to teach art and thought it would be fun to reengage in the art community. I truly have a passion for painting.  
Going For The Gold
What are some of your artistic achievements?  
My work is included in several prominent collections including Whirlpool Corporation, Marion Power Shovel, Wyandot Popcorn, the Cellar Memorial Art Gallery, the Law offices of Brent Harraman and former Manager of the New York Yankees, Billy Martin. I won “Best of Show for my painting “The Family Tree” from the Marion Juried Fine Arts Festival. I have received rewards and recognition in various juried art shows in the Central Ohio area.  Currently I am working on private commissions and preparing a body of work for my upcoming show in Middletown, Ohio.  
Gold Cup
Describe your usual procedures for creating a painting.
My work is a response to and an exploration of the vibrant multicultural experiences from my youth.  I grew up on the South side of Cleveland, Ohio at a time when everyone lived in ethnic neighborhoods.  The beauty and excitement of the diversity I witnessed infuse its energy into all of my expressions as an artist.
These impressions from my childhood find me consistently searching for variety and color in every corner of my life.  Reflections of these moments are at the core of my work. 
I use watercolors as the primary pathway to connect my inner life and experiences with the outer world; they provide a fluid medium that always surprises and delights during the creative process.  I don’t feel bound by convention and use multiple techniques and experimentation; even occasionally cutting into the surface of the paper.  I allow the looser nature of the paints to provide enhancement or counterbalance to the tighter elements of the work.  I love to layer the colors so that their luminescent character shines through while still allowing the viewer to see and feel the brushwork. 
While working, I am engrossed in the process.  Every brushstroke is a decision, a counterstroke, a correction or enhancement, or the start of a new visual pathway.  I want the viewer to join me on a journey to see not only what I see, but to discover some visual elements that bridge an emotional resonance with the piece.
Point Counterpoint
How long have you been painting?
I have been painting all of my life.  I painted professionally for approximately 15 years, before going to work for the Federal Government.  I took a 28 year hiatus and have re-emerged two months ago to pursue a professional career while feeding my passion to paint and create.
In what medium, other than watercolor or acrylic, do you work?
Pen and Ink.
Where do you get your inspiration for paintings?
People, places and things.  Inspiration is everywhere.
Are you a teacher?
Yes.  I taught art professionally for 17 years.
The Mayor
Where do you see yourself in the future?  (i.e., is painting a hobby; will you enter shows; do you see yourself teaching?)
I want to be in professional shows and organizations.  Ultimately I would like to see my works in institutions, galleries, museums, and collections.

Your website:
Your blog spot: