Tuesday, September 27, 2016
Wednesday, September 21, 2016
Program Chair, Claudia Taylor, introduced Peter Frederick, a self-taught painter from NE Ohio. Peter has been a Landscape Designer, only “dabbled” in painting until about 2009, after his four children did not need his full attention. Peter has been in 13 Juried competitions, has had five Solo Exhibits, and is a Signature Member in three states. In 2014, he discovered “teaching” art and found that he loves it.
Peter traveled to the North West Coast, to Oregon and to San Francisco; took lots of pictures, which he can now use as source materials for many paintings. He usually doesn’t paint directly from the picture, but uses parts of a couple of them to set up a sketch with a better composition.
As far as the “nitty-gritty” goes, Peter usually uses a quarter sheet of paper in his teaching session. He likes his porcelain palette; Windsor Newton paints; mostly all “cheap” brushes; Grumbacher masking or masking tape; gouache when needed (does not worry about being a purist, or using only transparent paints); and uses “dirty” water! His list also includes sponges, test paper, salt, Hake wash brush, and an Xacto knife. Peter admits to painting somewhat tight and small.
Peter has prepared some videos - PeterFrederickartist on FaceBook/UTube.
Procedure: After Peter has drawn a satisfactory sketch with good composition, and has done a value pattern, he puts his sketch onto the watercolor paper using a grid.
He generally paints in “layers”. He uses only 10-12 colors, on Arches 140 lb. Cold Press paper. He tapes his paper (Scotch Painter Tape) completely on all four sides to a sheet of Insulation (cut to size) that he buys at the hardware store.
He generally wets the whole paper, and then does one of his favorite parts: puts the first wash; his favorite because it means he has “started” his painting! He allows it to move a bit on the paper. His other favorite part is the last wash, because by then he can tell if it’s going to be a good painting or not!
Peter sometimes dries each wash with a dryer, but, sometimes, lets it dry naturally - while he plans the next part, or does some other necessary thing. If he makes a “mistake”, as he says he does from time to time, he merely rewets that part and reworks it. He likes to use gravity to put or keep the pigment where he wants it to be while drying, turning the dryer or painting to do this.
Sometimes he uses masking fluid or masking tape to preserve certain parts while he adds on other layers. As he was doing this painting, he used Paynes Gray and Sap Green to do the distant hills; then put in more green for the closer hills.
He also used Raw Umber, Burnt Umber and Burnt Sienna. Peter used a very small brush to paint the Evergreen trees, and did not worry about making them exactly like the picture, or to paint every needle, etc. He advised to make sure that we do not paint “cones” or “pyramids” instead of pines. Use different sizes and shapes; different negative spaces. If he has painted something too dark, he “lifts” some of the color. For this painting, he will use a variety of reds for the building, and will spend more time on the foreground, perhaps using a fan brush; perhaps some splatters; or perhaps a little darker color in the lower corners.
Peter always asks his students “Why are we doing this? (particular technique, etc.) The answer is “To make our painting more interesting”. The group enjoyed watching the painting take shape. Peter participated in some Critiques of members’ paintings.
Submitted by Joyce Grothaus, Secretary, GCWS, September, 2016
Photos by Deb Ward
Photos by Deb Ward
Wednesday, September 14, 2016
To a nice turnout for September, President Kathy Lang opened the meeting, and greeted everyone, including a new member - Pat Lester - who says she is a “wanna-be artist”. She has been painting for a couple of years, and is joining in order to “Learn”. She has studied with Deb Ward also. We have other new members this year - - Judy Avner, Rebecca Caplinger, Diane Jeffries, Ingrid Farnham, Helmut Kientz, James Lefebvre, Y G Tsuei, Courtney Wiechman, and Bink Zengel. We are pleased to have all these new members this year, and look forward to getting to know all of you better.
Kathy asked for a show of hands of those who are staying after the meeting for Open Painting - so that enough lunch could be ordered. We welcome any member to join the group. Just bring whatever you are working on, or would like to ask advice on, etc.
Announcements: Tom Schroeder was accepted into the KY IDEA Show. He also won a Ribbon in the Art Comes Alive 2016 Show. All members are encouraged to plan to enter this show for next year, presented by Art Design Consultants - Litsa Spanos - the Studio that GCWS members visited last year in downtown Cincinnati. Discussion was about “trends” noticed at this Show - such as: series of 3 paintings were popular; multi-media items were popular, and “ultra-modern” Abstract paintings were in abundance. Jo Hogan told about the ArtLocal Annual Exhibit at Centennial Barn in Springfield Township on November 11 and 12, presented by ArtsConnect. If you would like to put in an entry, contact Jo. Lesser Fee before Oct. 1. Claudia Taylor - Congratulations - has a one-woman Exhibit at Dutch’s restaurant in Hyde Park on Erie Ave. with 25 of her paintings, from now through October. Helmet Kientz has paintings hanging at the BeanHaus in Covington, KY, on Main St. through mid-September.
GCWS Annual Exhibit - will be held next August, again at the “Barn” in Mariemont.
Dianna Duncan, Workshop Chair, gave a very upbeat report on the GCWS Workshop, to be held at the end of October. There may be one spot left. Those who are already signed up will gather on Sept. 28, to prepare our canvas/paper, to be all ready to paint at the Workshop. She also gave participants a list of items to be brought to the Workshop. It sure sounds like participants will have a good time, and come home with a new skill, and a nice piece of art.
Our President announced that there will be a Leadership Team meeting after the October meeting to discuss the Board and Officers for next year. We do have a couple of members who have already agreed to help with various projects, etc. Kathy asked everyone to consider becoming more involved next year - perhaps taking an Office, taking responsibility for some particular project or part of a project. The benefits to GCWS are abundant when many members contribute to the success of the Club.
And you, as a member, also receive benefits — getting to know other members better; perhaps learning how to do something that you don’t know about now; using your particular skills to make the Club better; and getting a great feeling of having contributed, and feeling that you really “belong”, rather than just “attending”.
There were a couple of “Critiques” after the meeting. Everyone is invited to bring one/ some of your unfinished paintings to get good advice on any improvements needed.
Submitted by Joyce Grothaus, Secretary, GCWS - September, 2016
Wednesday, August 17, 2016
Program Chair, Claudia Taylor, introduced member Carolyn Hibbard, Presenter for August. Carolyn has been painting for quite some time, and loves it! She had her education in Commercial Art and Graphic Design. She is a Charter Member of the GCWS. And Carolyn has continued to learn and experiment with many different kinds of Art and techniques, etc. She has been accepted into quite a number of State Watercolor Societies; has been published in a number of art books, and has won many awards for her work. Carolyn is donating her stipend to the Mary Marxen Scholarship Fund.
Carolyn’s subject for the day is “Pouring”, and she credits Jean Grastorf, who teaches at Spring Maid, with starting and encouraging this technique.
Carolyn began by telling us that the whole painting can be done by “pouring”, or you can just do parts of your painting this way, and also incorporate the use of brushes. The “pouring” is rather quick - - but, the sketching, thumbnail, and learning about your subject before hand takes a bit of time and patience. She works out her values on the thumbnail, pulling out the whites and darkening some parts; pulling out “shapes”. Carolyn’s teacher and friend, Fred Graff, suggests using three shades of gray. As we know - “Color gets the credit; but Values do all the work”.
|First stage - whites saved.|
She usually enlarges her photo or reference material so that she can see it very well. Carolyn stretches her paper by wetting it, stapling it down while wet; then when dry, she uses masking tape all around to hold it all down flat. She usually uses Arches 140 lb. cold press. 300 lb. paper usually does not have to be stretched.
|Yellow, Red and Blue have all been poured adjacaent to each other.|
|Paper is tilted, excess paint and water poured off.|
She draws the picture and then transfers it to the watercolor paper (so that there will not be any erasures, etc. to ruin the w/c paper). She also advised us to use cheap, cheap or Cheap Joe’s “UGLI” brushes to put masking fluid on your paper; never your good ones. Dip in a bit of soap before dipping into fluid. She uses little cups purchased at GFS to hold the masking; don’t dip into bottle and contaminate it. Later this dried fluid can act as a masking fluid “eraser”. She also uses the little cups to hold her diluted paint; mostly Cheap Joe’s brand; and some Windsor-Newton or Daniel Smith; mostly all transparent.
|End of first stage - one pour completed, next value covered with miskit.|
Carolyn usually selects a Blue, a Red, and a Yellow (different shades depending on the painting), with sometimes a little help with darker tone, Burnt Sienna, etc. She advises a very careful test of each of the colors first; mixed up to just the value you want. Use a different brush for each color. Decide on your 3 or 4 values of each of these colors. Then mask out the Whites on your paper. Wet the whole paper, and wipe the edges with a tissue. Keep the water from pooling near the masking. Wipe off any excess water to prevent “blooming”. Pour each of the colors in succession, in the area you will want them to be; but do not pour them on top of each other; just next to each other. Then pick up the paper and turn it in many directions so that the paint will mix on the paper. You can use a “pipette” to put more paint on some places. Turn the paper so that all moisture runs down to one corner; blot it off. Stand it this way until dry.
When your paper is Completely Dry — look at it carefully. What do I want to keep this first value? Mask those places. Add more pigment/paint to the cups you used before for your second Value, and test each of colors/values. Wet the whole paper; wipe off excess, and do whole pouring process again. Stand on Corner until Dry.
|A completed painting (similar to her demo painting)|
Depending upon your Painting, etc. you may want to do one or two or more “Pourings” - masking areas you want to stay a certain Value, and putting more paint on areas you want to be darker/more vivid, or even use a brush for certain effects.
|Some of Carolyn's beautiful painting examples.|
Carolyn has a “ruling pen”, used in mechanical drawing, that she uses to put on her Pebeo brand masking in a thin line. Some folks stated that Suder’s on Vine Street may stock them.
All attendees enjoyed Carolyn’s Pouring Lesson, the wonderful handouts she prepared, and the Critiques afterwards.
Submitted by Joyce Grothaus, GCWS Secretary, August 2016
Photos by Deb Ward
Tuesday, August 9, 2016
On a beautiful warm, summer day, President Kathy Lang called the meeting to order. Guests were welcomed, which included Doug Hibbard, husband of our Presenter; Tony Pestio, Janet’s guest; and Diane Jeffries, who became aware of our group through our Blog on the Internet.
A surprising number of people raised their hands to tell that they were staying after the meeting for Open Painting (and pizza) - 20. All helped to set up more tables and chairs. Lesson was on DVD - miniature paintings with various techniques.
Announcements: Kathy Lang has made arrangements for us to hold our Annual Exhibit next year at the “Barn” again. We will have our August meeting there on August 2. Members will bring their paintings on that day, and after the meeting, the Hanging Committee will ready them for the Show. It was decided that we would have the Exhibit open from the next day (Thursday, 8/3) through 8/27 (Sunday), with Pick Up Day on Tuesday, 8/29. We will have the Reception on Sunday, 8/6/17.
Deb Ward announced that Roger Ross has his complete Show Booth for sale; contact him if you are interested. Deb is giving a Workshop on “Red Hot Tomatoes” soon. If you are entered in any shows, or have won an award, etc. please contact Deb so that she can put the news into the Blog.
Workshop Chair, Dianne Duncan said there is one place left for the October 28-30 Workshop. If interested, contact Dianne soon. For those members who have not paid the full amount yet, it is due by September 1. Be sure to keep your space with your check! Dianne will give instructions for all workshop attendees on stretching your paper over canvas in September.
Our Presenter for July (Dick Close) has donated his stipend he received from us to a group called “Visionaries & Voices”, who work with people with disabilities. We were pleased to hear about this kind action.
The meeting was kept rather short today so that we would have plenty of time to have the Demo and lesson from our own Carolyn Hibbard.
Submitted by Joyce Grothaus, GCWS Secretary
Wednesday, July 27, 2016
Before introducing our Presenter for July, Claudia Taylor, Program Chair, told us about upcoming programs: August - Carolyn Hibbard, Pouring; Sept. - Peter Frederick; Oct, - Deb Ward; and Nov. - Nancy Neville.
Dick Close, Design Director for Ionic Communication, gave a demonstration of one of the topics that he has been passionate about for a while: Candy, Cakes, and other Sweets, being inspired by Wayne Thiebaud years ago. As a designer and illustrator, his career has been very structured, but on his Bucket List was an interest in painting in a more creative and loose fashion. He is now able to indulge that wish. Lately, he has become interested in finding everyday subjects and buildings in Over the Rhine, and Findley Market, etc. He is looking forward to painting “plein aire” on his vacation.
He has been juried into a variety of outdoor shows, such as Summer Fair, and does shows around the country. One of Dick’s paintings was one of the 78 selected from over 400 (from 39 states), submitted, to be shown in the Watercolor USA National Show.
Dick explained how he purchases such things as gummy bears and other candy, with wrappers or without, sets up the still life - making sure there are interesting shadows - and then takes photos from many angles until he gets the desired composition. He often takes his pictures with a cell phone and believes it is good when they are printed out and are not “true” - therefore encouraging him to use his own ideas of color. Dick believes that shadows offer a perfect place to bring in unexpected colors, and makes his all the same in order to unify his painting, many times using Burnt Sienna under or over other colors to warm them, and likes to mix Indigo and Sepia to make a good
He tends to use smooth paper, and usually only 3 or 4 brushes. He purchased the palette he was using at Sudors Art Store. He likes to put the paint (usually Windsor Newton) on heavy and then “lift” where he wants it to be lighter. He doesn’t want his paintings to be photo-realistic, but does use more detail in the middle of his work. He does use masking fluid sometimes, but finds it difficult to be precise with it. Dick did a Critique after the Presentation. Members are encouraged to bring in paintings each month for this purpose, to improve your work.
Submitted by Joyce Grothaus, Secretary, GCWS
Photos by Deb Ward
Photos by Deb Ward
Wednesday, July 20, 2016
Greater Cincinnati Watercolor Society - July 6, 2016
Our President, Kathy Lang, called the meeting to order, and welcomed our new members and guests - Helmut Kientz, a newly retired architect who has been painting watercolors for about five years (see Announcements); Angie Larimer, who has been very involved with photography, and is now very interested in painting, and Eileen Hulsman's niece, also an architect, and new member of GCWS.
A discussion of our recent Art Exhibit brought many good comments, and many thank you’s
to all who participated and volunteered to make it a success. The show was well hung, was well attended, and members and guests greatly appreciated the Paintings and the celebration, and the Chair of the Event, Judith Reed. Some suggestions for next year: upgrade the Ribbons for the winners; have a co-chair, and heads of a number of committees; have someone actually painting at the Reception, and maybe while “sitting”; find out a way to be able to accept credit cards for payment when
someone wants to purchase a painting; perhaps allow winners (except First Place) to win an award the following year. The Leadership Team will take all these comments and suggestions into account at their meeting. A Reminder was given to those who sold paintings from the Exhibit, to send their commission check to the Barn.
Announcements: Helmut Kienze has a Personal Watercolor Show for the month of August at the Main Source Bank, in Bright, Indiana on State Line Rd. Congratulations! Tom Schroeder was juried into 2016 Pennsylvania Watercolor Society Show and won the “Juror’s Award”. He was also juried into 2016 Art Comes Alive Show, and received Signature Status from the Ohio Watercolor Society. 3 Congratulations, Tom! Deb Ward is holding some two-day Workshops at her home. Deb reminded everyone to send her any interesting info about yourself that she can put on the Blog.
Dianna Duncan, Chair of our Workshop Event sent out Application Forms to all members for the workshop to be held Oct. 29, 30, 31 at our regular meeting place. Only two places are left open at this time. If you would like to be on a waiting list, please contact Dianna.
Treasurer Carol Fencl gave her report. We have enough money in our account to handle all of our business. We have enough in the Mary Marxen Fund to give two more scholarships next year.
There were a number of members who were staying after the meeting to paint together. Next month, we will again have “open painting”. Everyone is encouraged to bring your supplies. We will order pizza for lunch. We will watch part of a DVD; then paint, before watching another part; then paint. It should be fun!
Submitted by Joyce Grothaus, Secretary, GCWS